(Nine Mile Recordings, CD)
More often than I care to admit, I find myself cross-legged in the midst of CDs strewn about the room, reconsidering some of the albums I crated in the wake of Sarah McLachlan’s late-’90s traveling femme-fest, Lilith Fair. Not the headliners, mind you, but the 5 p.m. slotters who held my heart and attention one afternoon long ago with the promise of great things to come — or at least a recognizable single on “Dawson’s Creek.”... Read more
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albums,
music